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Key visual of the exhibition «colonial – Switzerland’s Global Entanglements»

colonial – Switzerland’s Global Entanglements

Ever since the 16th century, Swiss society has been increasingly globally intertwined. In eleven chapters, the exhibition revealed colonial fields of action in which Swiss men and women were involved. They range from involvement in the slave trade to mercenary service in the colonies to scientific research as a form of exploiting of both humans and natural environments.

On the tour through the exhibition, visitors encountered not only Swiss protagonists and institutions based in present-day Switzerland, but also enslaved and colonized people, who put up resistance but whose traces have almost been lost today.

The legacy of European colonialism still shapes the world today. The exhibition called on visitors to engage in the ongoing debates.

Here you will find a selection of the contents of the exhibition, which was on display at the National Museum Zurich from 13 September 2024 to 19 January 2025. The exhibition will be on display in an adapted form at the Château de Prangins from 27 March 2026 to 11 October 2026.

«Die vielfältige, aber schwer fassbare Rolle unseres Landes stellt uns vor eine Entscheidung. Wenden wir uns vom Thema ab, weil es so komplex, ja scheinbar undurchdringlich ist? Oder sehen wir besonders genau hin, weil wir nur so begreifen können, wie es wirklich war? Und wie dieses koloniale Erbe unsere Gegenwart prägt?»

Bundesrätin Elisabeth Baume-Schneider, Vernissage in Zürich, 12.09.2024

An der Vernissage zur Ausstellung haben Bundesrätin Elisabeth Baume-Schneider und Henri-Michel Yéré, Historiker und Poet der Universität Basel, gesprochen.

Inhaltsverzeichnis

Enslavement

In order to operate plantations in the Caribbean as well as in North and South America, European traders deported over 12 million people from Africa to the colonies between the 16th and 19th century. This was also possible because there already existed an intra-African slave trade.

More than 250 Swiss entrepreneurs and companies were involved in the deportation and trade of roughly 172’000 people. Prerequisite for such a form of exploitation was the dehumanization of enslaved people.
The Atlantic slave trade created the conditions under which racism evolved, starting in the 16th century.

© Swiss National Museum

Wealth through exploitation
The Atlantic slave trade reached its shameful climax in the 18th c. Cities such as Bern and Zurich also invested in the slave trade; both were shareholders in the British South Sea Company, responsible for the deportation of more than 38,000 enslaved people.

Stock of the South Sea Company, London, 1729 | Sammlung Schweizer Finanzmuseum der SIX Group, Zürich

Manufacturer, trader, investor
The company Christoph Burckhardt & Cie. produced chintz fabrics in Basel and dealt in colonial wares. The Burckhardt family was involved in 21 slave crossings and the deportation of 7,350 enslaved people.

Account statement for the slave ship Le Cultivateur, Ch. Burckhardt & Cie, Basel, 1815–1817 | Schweizerisches Wirtschaftsarchiv, Basel

The listing of human beings alongside normal trade goods shows that enslaved people were treated like commodities. Slavery was by no means an invention of European colonialism, but the transatlantic slave trade added a new dimension to the capitalization of the human body. Enslaved people were reduced to mere freight and abducted to the colonies by means of unspeakable violence.

Chintz | © Swiss National Museum

Chintz
Printed cotton fabrics were an important trade goods in exchange for enslaved people. This fragment is probably the only preserved piece that was produced specifically for this kind of exchange.

Le lion et la chèvre, Manufactory Petitpierre & Cie, Nantes, around 1790, woodblock print on cotton | Swiss National Museum

biografie-jacques-louis-de-pourtales.pdf
biografie-pauline-buisson.pdf

Enslaved people as property

From the 17th century on, Swiss men and women privately owned plantations which were run on slave labour, for instance, in the Caribbean or Brazil. The exploitation of enslaved men, women, and children brought them tremendous wealth.

Swiss entrepreneurs and mercenaries also owned enslaved people in European colonies. In Asia, for example, mercenaries often cohabited with enslaved women. Of some of them we know that they brought enslaved people back to Switzerland.

What about today?

For years, calls for reparations for the crime of slavery have been voiced but it remains unclear whether and who should pay and who should benefit from the amends. The historian Hans Fässler puts it into perspective.

In Brazil, the name Helvécia bears witness to the place’s Swiss past. The memory of slavery lives on in the descendants. The pictures of the
Brazilian-Swiss photographer Dom Smaz and the embroidered fabric panels created by the Swiss artist Denise Bertschi reflect this memory.

Descendants of slavery
When slavery was finally banned in Brazil in 1888, roughly 2,000 enslaved people gained their freedom in Helvécia, the former German-Swiss colony of Leopoldina, among them Dona Cocota’s grandfather.

Dom Smaz, Dona Cocota, Helvécia, Brazil, 2015 | Swiss National Museum

Swiss family traces
Apart from the descendants of formerly enslaved people,
descendants of the Swiss family Sulz still live in Helvécia today, the former German-Swiss colony of Leopoldina.

Dom Smaz, Carlos Henrique Cerqueira (grandson of Henrique Sulz), Helvécia, Brazil, 2017 | Swiss National Museum

Trade

Swiss merchants began trading in so-called colonial wares in the 16th century: among them silk, spices, tobacco, and tea from overseas. Later, textiles became the main currency in the Atlantic triangular trade –
a highly lucrative business for the companies involved.

From the mid-19th century, Africa and Southeast Asia served as sales markets for European industrial goods; in return, Europe imported raw materials to drive its industrial production. In Switzerland, a country short on raw material resources, a few merchant companies benefitted
from the development and grew to become the world’s largest commodity traders.

Cocoa
The cocoa plant only grows in tropical regions. In the 18th c., it was one of the most important commodities, harvested by enslaved people, and traded on the world market, amongst others by Swiss trading companies. 

It was only in the 19th c. that cacao reached Africa from South America. The triumph of Swiss chocolate was only possible thanks to cocoa from the colonies and the link between the chocolate industry and the growth of the dairy industry.

Cocoa fruit, cacahuatl (Nahuatl, language of the Aztecs), Ghana, 2024

Cocoa drying area in Accra
The Basel Missions-Handlungs-Gesellschaft was founded as an offshoot of the Basel Mission in 1859. The company traded in cocoa and grew its own cocoa plants. As of 1921, the Union Trading Company became one of the largest trading companies in Switzerland.

Accra, cocoa drying area, around 1904/1905 | Mission 21, Bestand der Basler Mission 

The Missions-Handlungs-Gesellschaft was a member of the
European Trading Cartel and was therefore able to keep
the producer price low, thus effectively hindering other African
companies from competing on the market. Shown in the picture: local labourers and a foreman in ‘colonial white’ dress – so clearly revealing the power divide.

Transit trade

Transit trade companies deal in commodities without the goods ever entering their own country. Thanks to free market access and high capital
coverage, companies like the Basler Missions-Handlungs-Gesellschaft or Volkart & Cie. made large profits and benefitted from the fact that
colonies were geared to commodity production. 

Falling transport costs and new communication technologies triggered a substantial increase in trade from 1880 onward and made Switzerland one of the major hubs in the commodity trade.

Why is Switzerland – with no commodities of its own and topographically at a disadvantage – so rich?
The question whether Switzerland (as a nation) grew rich off its colonial involvement is difficult to say, based on the current state of research. Individual companies and families certainly benefitted from colonialism while, around 1900, the majority of the population was poor and struggling.

Myths and facts: The origins of Swiss wealth, discussion between Markus Somm, journalist and historian, and Hans Fässler, historian, Echo der Zeit, 21 Dec. 2021

What about today?

trading companies were registered in 2021, covering roughly a quarter of the global commodity trade.

The profits still flow to the global North, while the producing countries are forced to bear the costs of environmental damage and inhumane working conditions. The local population barely benefits from their country’s wealth in raw materials.

Mercenaries

Swiss mercenaries began serving in European colonial armies from the end of the 16th century on which meant they often took part in violent conquests and helped to uphold the colonial order.

Crucial factors that made Swiss men sign up for foreign military service included unemployment and poverty but also fanciful images of manhood promising adventure and heroism. Although actual mercenarism was banned in 1859, serving in a foreign army still remained possible. Thousands of young Swiss men joined the French Foreign Legion or the Royal Netherlands East Indies Army and served in colonial Asia and Africa.

biografie-alois-wyrsch.pdf
biografie-hans-christoffel.pdf
biografie-si-singamangaraja-xii.pdf

What about today?

Well into the 20th century, Swiss mercenaries were still venerated as heroes, as valiant men who went to battle. The fact that mercenaries
frequently helped to uphold violent regimes, but often also died abroad or returned to Switzerland heavily traumatized by what they had witnessed, was often ignored.

In former colonies, mercenaries and excessive acts of violence are remembered differently.  In 2008, the ethnologist Edgar Keller from Zurich and his colleague Yoseph Agato Sareng interviewed people living on Flores whose parents and grandparents witnessed the massacre ordered by Hans Christoffel in 1907.

In 2023, Keller and Sareng conducted another round of interviews with the descendants. In the film, Franziskus Rema Lawa, Thomas Mite, Petronela Ene Sugi, Martin Lalu, and Mosolaki Kristoferus Oramu speak about the violence that their forefathers experienced, as well as about the resistance against the Dutch.

Settler colonies

From 1600 onwards, colonial governments founded so-called settler colonies in which European men and women were invited to cultivate allegedly unoccupied lands and engage in trade. In truth, the land was seized from the respective resident indigenous population.

Although most Swiss emigrants came from poor backgrounds, they, being white, benefitted from the existing power relations in the long run and contributed to the forceful eviction of indigenous populations – above all in North and South America, at times also in Asia and Africa.

New Bern

In 1710, Christoph von Graffenried founded the colony of New Bern in what is now North Carolina in the USA. The British colonial authorities allotted him 16,200 hectares of land. However, the area was already home to families of the Skarù·ręʔ (also called Tuscarora) who had been fighting for independence for years.

In 1711, it came to war. The Skarù·ręʔ attacked New Bern, destroying almost the whole town. A year later, the Skarù·ręʔ were defeated; many of them were either killed or captured and sold into slavery.

San Carlos

When, from 1809 on, the South American countries began breaking away from their Spanish and Portuguese colonial masters, free states emerged; these were governed by small white and creole elites. The aim was to develop white societies modelled on European standards.

Between 1856 and 1896, more than 20 Swiss settler colonies were founded in Argentina – mostly by impoverished farmers from the
mountain valleys of the Valais – among them the colony of San Carlos.

Poverty
Many settlers emigrated from Switzerland in the face of poverty. Most of them did not grow rich in their new homeland; usually
it was only the second or third generation that fared better economically.

Colony of San Carlos, 1883 | Schweizerisches Wirtschaftsarchiv, Basel

One the one hand, this photograph reveals the poor living conditions that settlers often faced, on the other, it feeds into the notion of wide, unoccupied land. What it does not show is that, in many cases, settlers occupied land that was inhabited by Indigenous people, at least temporarily, who were driven off by force.

What about today?

Towards the end of the 19th century, the Chilean state occupied large swathes of what is now southern Chile, home to the self-governing
Mapuche; many of them were murdered, dispossessed, and disenfranchised. The land was distributed among settlers from Europe, among them the Luchsinger family from Engi (Glarus).

To this day, the Mapuche are still fighting for the return of their lands, including land now owned by descendants of the Luchsingers, who, of course, regard themselves as the rightful owners.

Biografie: Christoph von Graffenried & Chief Hancock

biografie-christoph-von-graffenried.pdf
biografie-chief-hancock.pdf

Selling what isn’t yours to sell
The work Free To All combines a historical poster of the Kansas Pacific Railway and the image of a member of the Kaw nation. The Kaw man, who occupies the centre of the poster, is superimposed on the legend advertising the extraordinary landscape that can be experienced on a rail journey.

The poster promises millions of hectares of land Free To All: this inscription can be seen in the stamp at the top right of the poster. Chris Pappan put the historical photograph of the Kaw man in the centre to show that this land was anything but free for the taking: land that rightfully belonged to the Indigenous population was sold and privatised at a great profit. The Indigenous population paid the price – in the form of forced relocation or with their lives.

Free To All, Chris Pappan, 2013, acrylic and gold leaf on wood, NONAM Collection

Poster of the Kansas Pacific Railway Company, between 1880 and 1900, Kansas Historical Society

Photo: A member of the Kaw nation, perhaps No-pa-wy. Alexander Gardner, Washington, D.C., 1867, National Museum of the American Indian, P10140

The art of Chris Pappan
The art of Chris Pappan (*1971, Colorado Springs, USA) brings the stories of his Osage and Kaw ancestors into the present. His works, which are based on ledger art, a traditional Native American art form that has been widespread on paper since 1865, show that the history of these people did not end with their expulsion to the reservations and that they remain part of American society to this day. Thus the central message of his art is: 'We are still here.'

Individuals, not stereotypes
The artist draws on historical photographs as inspiration for his current works. The images help Pappan to immerse himself in the lives of the people. However, the disadvantage of these photos is that they were often manipulated and used to disseminate and perpetuate stereotypes.

In Scouts Honor, Pappan shows a bandanna from 1971 with a stereotypical printed design in the centre. Pappan juxtaposes this print with two portraits of two autonomous, individual people with different facial features and characteristics. These two people stand only for themselves, as individuals – unlike the print, which represents a stereotypical and superficial amalgam of various population groups.

Scouts Honor, Chris Pappan, 2019–2020, photo: Chris Pappan

The missions

Ever since the 16th century, Swiss missionaries – starting with the Jesuits in Latin America – have attempted to bring indigenous peoples across the globe into the folds of Christianity. One of the first and largest of the European Protestant mission societies was the Basel Mission.

Missionaries built schools and hospitals, often with the help of local rulers. Although they occasionally initiated social change, the relationship with their followers was usually governed by a paternalistic attitude. Back home, the missionaries often painted a picture of inferior cultures in the colonial territories.

The Basel Mission

In 1815, devout citizens of Basel‘s bourgeois elite founded the Basel Mission together with Pietists from southern Germany. From 1828 onward, missionaries were sent to the Gold Coast (modern Ghana) and from 1934 to southern India. Their task was to convert the local population to Christianity and bring them ‘benevolent civlization’.

From 1901 on, unmarried women, too, were sent to missionize abroad – the hope being that women would probably achieve a better ‘conversion rate’ among ‘pagan’ women.

Clay figures
Clay figures from India helped familiarize prospective missionaries as well as the congregation in Basel about life in the mission area. They also served as an introduction to the structure of Indian society.

Model figures, India, ca. 1886 | Sammlung der Basler Mission Depositum 1981, Museum der Kulturen Basel

Diary of a missionary
Maria Müller-Kapff (1871–1958) was the wife of the missionary Wilhelm Müller in Calicut, British India. She wrote an account of their situation during World War One when the British interned missionaries. Her husband was taken into preventive detention.

Diary entries on war-time experiences in India, 1914–1915, Maria Müller-Kapff | Mission 21, Bestand der Basler Mission 

Until 1901, women were barred from working as missionaries. Their only chance was to enter into an arranged marriage with a missionary. Many were willing to move overseas and marry a man they had never met because at their husband’s side, they would be able to lead an independent life. Basel Mission began to recruit single women for missionary work after 1901.

What about today?

From the start, the Basel Mission also faced criticism, ultimately bringing an end to their missionary quest in the mid-1950s. Criticism was directed against the practice of proselytization which was driven by a sense of civilizing mission fuelled by a supposedly superior European culture.

The Indian historian Mukesh Kumar considers the health and education facilities as positive achievements; in many cases, they made life easier
for the converted segments of the population.

Queer activism
As a queer artist, Sandeep TK deals with the tensions between varnas, classes and gender, but also incorporates global power structures that have arisen from the legacy of the colonial past. Queer people in particular often leave their home villages to escape these structures, at the cost of leaving part of their own culture behind and having to adapt to a new way of life:

'I am also looking at small-town queer aspirations to move to a bigger city to be a part of urban culture and the more extensive queer network. […] it’s a collective experience of small-town queers who aspired to move to big cities that comes with the difficulties of facing a new urban culture, language, and ways of navigating life in the town.'

Photo: Social media of the artist

Photo series 'Let me add something in my own melody'
In his creative process, the artist realizes that people in photographs he found in the archives of the Basel mission are often photographed passively, without self-determination and dependent on the person taking the picture. He connects the passive position of the people in photographs with stories of his ancestors in the environment of colonial structures. He therefore decides to tell these stories differently and to photograph himself in the process. With self-portraits, he creates his own, new images of the past that show a self-empowered person - himself.

The photo series shows the artist in staged poses, telling the stories of his grandmother, his father and letters from the time of the Basel mission.

'Basel mission came to Malabar with the aim to spread Christian messages while attempting to achieve their goal, they established Schools, tile factories and weaving units to employ people from the lowest of the communities.'

From the series 'Let me add something in my own melody', 2020 | Courtesy of Sandeep TK

'Have worn suit and pant in front of mirror when nobody watching when I heard the news, I got the Job. Never gathered the courage to wear it in front of friends but I did wear it once when I moved 'to a city.'

From the series 'Let me add something in my own melody', 2020 | Courtesy of Sandeep TK

Research at the Basel Mission Archive
'Some years ago, through a Pro Helvetia residency, I had the opportunity to spend some time in their (mission) archive in Basel. (…)  The Basel Mission was a Christian missionary operation, a European venture with all the imperial overtones of the time. But they did bring fresh eyes to the region and could see the situation of untouchable castes for what it was: oppression. And to the extent they were able to help, people were grateful, however much the exercise was propelled by the fervour of religious conversion and the civilising mission. As someone from the same untouchable castes they affected, from a family that did not convert, I had an understandably complex reaction to their legacy in my homeland.'

Quote from: Reading the Body: In Conversation with Sandeep TK, MALLIKA VISVANATHANFEB 26, 2024, Asap Art, alternative South Asia Photography

Photo: Social media of the artist

Experts

From the mid-19th century onward, numerous Swiss experts stood in the service of colonial powers. Geologists searched for oil, engineers designed bridges, civil servants collected taxes. Their expertise served the colonial development and administration of a territory.

Roughly 200 Swiss worked in the Congo Free State (1885–1908), the private colony of King Leopold II of Belgium. Some like Daniel Bersot criticized the ruthless profit maximization along with the use of excessive violence. Others like Erwin Federspiel relativized the events and justified the practice of colonial rule. Owing to such reports, the
Congo Atrocities including forced labour in rubber extraction and brutal acts of violence became known and were publicly discussed in Switzerland.

Ambivalent criticism
Daniel Bersot from Neuchâtel (1873–1916) spent three months of 1897/98 as a colonial administrator in the Congo Free State. On his return home, he criticized the colonial system, and in a book described witnessing corporal punishment using the ‘chicote’, a hippopotamus hide whip that was used, for instance, to punish individuals who failed to deliver their allocated quota of rubber. Nevertheless, there are also racist statements in the book.

‘Under the chicote! These three words sum up the history of Central Africa over the last quarter of a century; they characterise the regime of oppression and ruthless exploitation that a huge country is made to suffer; they encapsulate the entire life of fear and toil of the N— of the Congo.’

Sous la chicote, Daniel Bersot, Geneva, 1909 | Patrick Minder, Fribourg

An attempt at vindication
In 1898 Erwin Federspiel (1871–1922) signed up for ten years in the Congo Free State's force publique. It was the military and civil police force, and brutally quelled local resistance. Involved in the collection of taxes himself while the Congo-atrocities Congo atrocities were taking place, Federspiel played down events and sought to justify them in a pamphlet he wrote.

Wie es im Congostaat zugeht (What is happening in Congo), Erwin Federspiel, Zurich, 1909 | Zentralbibliothek Zürich, Bro 12780

The recruiter
Jean Boillot-Robert (d. 1913) was appointed Belgian consul in Neuchâtel from 1901. Working on commission, he recruited local Swiss to work as officials in the Congo Free State. To that end, he published this collection of whitewashed ‘eyewitness accounts’ by Swiss nationals who had returned home from the colony.

Leopold II et le Congo – Nos fils au continent noir, Jean Boillot-Robert, Neuchâtel, 1904 | Patrick Minder, Fribourg

Science

Swiss scientists took advantage of the colonial patronage to conduct research, for instance, in botany, tropical medicine, or linguistics. Their findings were useful: cartography, ethnographic knowledge, or geological findings helped colonial powers to exploit natural resources and control colonised populations.

Indigenous knowledge was either ignored or appropriated. Colonial researchers ‘discovered’ landmarks along with plant and animal species, albeit all of them long known to the colonized peoples, allowing Swiss scientists to reap in fame and profit without naming the original sources.

Natural scientists
Between 1883 and 1907, the Basel natural scientists Fritz (1859–1942) and Paul (1856–1929) Sarasin undertook research expeditions to colonised regions of Ceylon (today Sri Lanka) and Celebes (Sulawesi, Indonesia). Equipped with measuring instruments and exploiting forced labour, they explored the geological, biogeographical and racial-anthropological boundaries.

Telescope of Paul Sarasin, around 1900 | Historisches Museum Basel, Erben Beatrix Staub-Sarasin

Arnold Heim | © ETH-Bibliothek Zürich

Research expeditions
Geologist Arnold Heim (1882–1965) conducted research on every continent. Many of his trips were funded by oil companies. Over the course of his career, he became an environmentalist and advocate of decolonization.

Virunga Expedition, Lake Mutanda (Uganda), 1954  | ETH-Bibliothek Zürich, Bildarchiv, Hs_0494b-0090-003-AL

The lonesome, courageous explorer, who expands the boundary of the known world and was the ‘first’ to discover or photograph this or that, is a myth. Colonial research was impossible without local cooperation. Without exception, colonized people played a crucial role in the building of shared knowledge, yet their contribution to the discovery and understanding of their own environment was never recognized.

What about today?

Since the 1970s, former colonies have been demanding the restitution of looted cultural assets and human remains. It is only in recent years
that the proper way to deal with colonial museum collections has been publicly debated. In 2023, the Federal Council appointed an Independent Expert Committee on Disputed Cultural Heritage.

Decolonization has now also reached the museums: Many of them have turned to investigating the circumstances of acquisition and the potential return of objects to their original owners.

Exploiting nature

The expansion of colonialism in the 19th century caused far-reaching changes to and the destruction of landscapes along with their flora and fauna – with notable effects on the climate.

Colonies served as seemingly inexhaustible sources of natural resources; the rise of European industrialization increased the demand for them exponentially. Swiss men and women, too, helped to plunder these resources through large-scale plantation farming or big game hunting, as examples from Sumatra and East Africa go to show.

‘Beginnings of a Plantation’
Photos in the albums of Swiss ‘planters’ show cleared areas of forest. On Sumatra, vast areas of it were lost to the colonial plantation economy. Profound changes to the natural world were viewed as inevitable in an effort to increase profits.

Album, Sumatra, ca. 1880–1900 | Swiss National Museum

Biodiversity under threat
Forest clearance aimed at increasing the amount of land for plantations entails habitat loss and a sharp decline in biodiversity, and is detrimental to the climate. Colonies were exploited as if their natural resources were inexhaustible.

‘Planter’ on cleared land, Sumatra, late 19th c. | Museum Heiden, Nachlass Traugott Zimmermann

Resistance
The plantation economy held great potential for conflict. Sent to the plantation owner Carl Fürchtegott Grob (1830–1893) from Zurich, this letter indicates local resistance. Its sender threatens an arson attack if his demands are not met.

Threatening letter with inscription in a Batak language, Sumatra 1875–1880 | Völkerkundemuseum der Universität Zürich, Inv.nr. VMZ 01006, © Kathrin Leuenberger

Learning from the past
Indonesians are now asking whether indigenous knowledge in the form of the ecological technologies of the Batak people could save the rainforest. Written on bark, this ritual book reveals their intimate relationship with the natural world.

Pustaha ‘book of oracles’, Sumatra, ca. 1830–1848 | Rätisches Museum, Chur

What about today?

Not least, colonialism also drove climate change. To this day, the environmentally damaging plantation economy is still engulfing huge areas of natural forest. The carbon stored there is released into the atmosphere, thus significantly fuelling the greenhouse effect.

The former colonies have to bear the costs. They are disproportionately affected by the consequences of climate change, for instance by rising sea levels; this is one reason why activists and international organizations are demanding 'climate justice'.

Continuity
The Indonesian artist Maryanto addresses the exploitation of
nature and postcolonial structures. With this painting of palm oil fruit, he draws attention to the expansion of plantations
in Borneo, the displacement of indigenous communities, and
deforestation.

Maryanto, Fresh Fruit Bunch, Yogyakarta 2023, acrylic on canvas | Yeo Workshop, Singapore

Die Reise auf der Suche nach Palmöl
Maryanto forscht für seine Kunst in seiner Heimat, Indonesien. In Videoaufnahmen beschreibt der Künstler seine Ankunft auf der Insel Kalimantan:

«Ursprünglich hatte ich mir Kalimantan als eine naturschöne Gegend mit dichten Wäldern und grossen Bäumen vorgestellt, aber die Realität sah anders aus. Die Reise war gesäumt von grossen Lastwagen, die Kohle und Palmöl transportierten.»

Maryanto, Perjalanan Kelapa Sawit (Die Reise auf der Suche nach Palmöl), 2023 | © Maryanto

Palmöl im täglichen Leben
In diesem Werk wird die Ölpalme von einer Flut von bekannten Logos grosser Unternehmen und Haushaltsmarken umgeben: Von Oreo bis Nestlé enthalten diese Produkte alle Palmöl, das möglicherweise von Plantagen in Indonesien stammt. Maryanto fordert auf, anzuerkennen, wie allgegenwärtig Palmöl geworden ist, vielleicht sogar unwissentlich. Angelehnt an ein improvisiertes Plakat von aktivistischen Personen und Demonstrierenden steht Palm oil in daily life für die Leidenschaft, die indigenen Gemeinschaften aufbringen, um ihre Wälder zu schützen.

Maryanto, Palm oil in daily life, 2023 | © Maryanto

Racism

Up to the end of 17th century, the alleged superiority of Christian culture was seen as an expression of ‘divine order’. In the course of the Enlightenment, this view was seriously questioned.

At the turn of the 19th century, so-called ‘racial theories’ became firmly established in Europe. These theories explained the alleged superiority of the ‘white race’ no longer in religious but in ‘biological’ terms based on bodily features such as hair structure, colour of the eyes, or shape of the skull. The resulting ‘race theories’ provided the legitimization of imperial rule and the exploitation of ‘foreign races’ in the colonies.

Although even then, racial research was occasionally denounced as pseudo-scientific, scientific racism remained an acknowledged branch of research up to the Second World War (1939–1945). Today the concept of ‘human races’ is definitely considered refuted, not least thanks genetic research.

Scientific racism

Around 1900, the universities of Zurich and Geneva became international centres for ‘Racial anthropology‘. ‘Racialist theorists’ measured human skulls from across the globe and grouped them into ‘races‘. The method applied by the ‘Zurich School‘, in particular, became the internationally recognized standard from the 1920s on.

The studies also served the purpose of preserving the ‘white race’ which allegedly was under threat. ‘Racialist theory’ and eugenics were practised in Switzerland up to the 1960s, albeit rarely.

Measurement
The Zurich Institute of Anthropology gained notorious fame for its measuring methods – such as measuring human skulls. The methods and instruments were developed and tested in the colonies.

Callipers, Siber Hegner & Co. AG, Zurich, around 1960 craniometry | Institut für Medizingeschichte, Universität Bern

Schweizer Rassenforscher

Professor in Harvard mit grossem Einfluss

Der Zoologe, Paläontolge und Gletscherforscher Louis Agassiz (1807–1873) wandert 1846 in die USA aus und wird einer der Hauptgegner von Darwins Evolutionstheorie. In seiner Theorie der Hierarchie der «Rassen» teilt er die Menschheit mit einer klaren Rangordnung ein, wobei er die «weisse Rasse» der «schwarzen Rasse» als überlegen ansieht. Agassiz lehnt die «Rassenmischung» ab – «Mischlinge» definiert er als minderwertig und will den amerikanischen Staat zur räumlichen Rassentrennung und zur Beschleunigung des Verschwindens der «Mischlinge» verpflichten.

Die Forderung nach Umbenennung des Agassizhorns lehnt der Bundesrat 2007 sowie die drei Gemeinden Grindelwald, Guttannen und Fieschertal 2010 sowie 2020 ab. In Neuenburg hingegen wird der Platz «Espace Louis-Agassiz» 2019 in «Espace Tilo-Frey» umbenannt.

Carte de Visite von Louis Agassiz, William Shaw Warren, um 1865 via Wikimedia Commons

Evolutionstheorie als Grundstein

Als entschiedener Anhänger des Polygenismus, der Lehre der verschiedenen Ursprünge von Menschen verschiedener Rassen, vertritt Carl Vogt (1817–1895) den Standpunkt, dass Menschen sich nicht aus einen, sondern aus mehreren menschenähnlichen Affen entwickelt hätten. Daraus schliesst er, dass Schwarze Menschen, besonders Schwarze Frauen, evolutiontionär am wenigsten entwickelt seien. Besonders an Gehirn- und Schädelform will Vogt erkennen, dass die grössten Unterschiede nicht zwischen Schwarzen und weissen Menschen sind, sondern zwischen den Geschlechtern innerhalb einer «Rasse». 1839-1844 assistiert er Louis Agassiz in Neuenburg und ist 1873 Mitgründer der Universität Genf.

Carl Vogt, K.K. Hofphotograph, Wien, ca. 1860 | The New York Public Library

Strikte Trennung der «Rassen»

Der Arzt Auguste Forel (1848–1931) vertritt Vorstellungen von Eugenik und ist für die Bewahrung und Förderung der Homogenität der weissen Rasse. Seine eugenischen und rassistischen Ideen fliessen in den schweizerischen naturwissenschaftlichen Diskurs ein, der den kolonialen Superioritätsanspruch unterfüttert.

Auguste Forel, aus: Clark University, 1889-1899, decennial celebration, Worcester, Mass, 1899 | Internet Archive

Naturgegebene Überlegenheit

Der Maschineningenieur Julius Klaus (1849–1920) ist überzeugter Darwinist und glaubt an genetisch hochwertige und minderwertige «Menschenrassen». Wobei die weisse Rasse naturgegeben allen anderen gegenüber überlegen sei. Klaus rechtfertigt so den Kolonialismus. Mithilfe der Fördergelder von Klaus über rund 1'275'000 Fr. wird die Julius-Klaus-Stiftung (1922) gegründet, die heute als «Katalysator» der Genetik und Rassenforschung gilt.

Julius Klaus, Reglement der Julius Klaus-Stiftung, Zürich, 1925 | Wellcome Collection

Hierarchie der «Rassen»

Der Zoologe Emile Yung (1854–1918) formuliert zwischen 1880 und 1910 zahlreiche Theorien zur vergleichenden Anatomie zwischen den verschiedenen menschlichen «Rassen» und Affen. Ähnlich wie Carl Vogts Theorien beschränkt er sich bei der Hierarchisierung nicht auf die «Rasse», sondern bezieht sich auch auf Geschlecht und Klasse. Yung praktiziert auch Messungen an den Körpern Schwarzer Menschen, die an der Schweizer Landesausstellung von 1896 im «Village Noir» ausgestellt sind.

Emile Yung, Jean Lacroix, Genf | Bibliothèque de Genève

 «Rassenhygiene» und Ethik

Der Psychiater Paul Eugen Bleuler (1858–1939) bezieht sich, wie die meisten Universitätspsychiater seiner Zeit, in seiner Forschung auf die «Degenerationslehre», der zufolge psychische Erkrankungen als eine Art «Entartung» zu sehen seien. Dabei verschränkt sich die «Degenerationslehre» mit eugenischen und später «rassenhygienischen» Ideen. In Bleulers Aufsatz Die naturwissenschaftlichen Grundlagen der Ethik (1936) bekräftigt er die Notwendigkeit einer strikten Rassenhygiene als Grundlange einer konsistenten Gesellschaftsordnung.

Paul Eugen Bleuler, ca. 1910 | ETH-Bibliothek Zürich, Bildarchiv, Portr_09914

Politisierung der «Rassenhygiene»

Einst Schüler von Auguste Forel, gründet Ernst Rüdin (1874–1952) die vom Deutschen Alfred Ploetz herausgegebene Zeitschrift «Archiv für Rassen- und Gesellschaftsbiologie» mit. In diesem «rassenhygienischen» Kampfblatt schreibt Rüdin über die Bildungsleistung von Schwarzen Amerikanern als «eine nicht zu unterschätzende Gefahr für die weisse Rasse» und warnt vor «einer Vermischung mit weissem Blut». 1905 gehörte er zu den Gründungsmitgliedern der von Alfred Ploetz präsidierten «Gesellschaft für Rassenhygiene».

Ernst Rüdin, aus: Erblehre und Rassenhygiene im völkischen Staat, Ernst Rüdin, München, 1934 | Zentralbibliohthek Zürich, JKS A 1292

Pseudo-wissenschaftlicher Antisemitismus

George Montandon (1879–1944) wird europaweit berühmt, nachdem er im Oktober 1940, nach der Kapitulation von Frankreich, im Werk Comment reconnaître le Juif?  antisemitische «Rassenthesen» formuliert. Von 1941 bis 1942 werden seine «Rassenthesen» im Deutschen Reich in die Praxis umgesetzt. In Frankreich arbeitet Montandon als «Rassenexperte in Judenfragen» für die Nazis.

George Montandon, Neuchâtel, 1913 | Zentralbibliothek Zürich, BR 435

Für den Erhalt der «weissen Rasse»

Der Anthropologe Otto Schlaginhaufen (1879–1973) gehört 1921 zu den Mitbegründern der Julius-Klaus-Stiftung für Vererbungsforschung, Sozialanthropologie und Rassenhygiene, deren Ziel es ist, die «praktischen Reformen zur Verbesserung der weissen Rasse» vorzubereiten und durchzuführen. Mit dem Ziel, die Grundlagen für eine Rassentypologie der Schweizer Bevölkerung zu schaffen, vermisst Schlaginhaufen Schädel von asiatischen Menschen und ist Leiter des ersten Schweizerischen eugenischen Grossprojekts, bei dem über 35'000 Wehrpflichtige der Jahre 1927 bis 1932 anthropologisch vermessen werden.

Otto Schlaginhaufen, Franz Schmelhaus, Zürich, 1914 | Universitätsarchiv Zürich, UAZ AB.1.0873

Neue Autorität für die Schweizer «Rassenforschung»

Marc-Rodolphe Sauter (1914–1983) ist ein Schüler des Genfer Anthropologen Eugène Pittard (1867–1962) und hat nach dessen Emeritierung den Lehrstuhl für Anthropologie in Genf inne. Sauter sorgt dafür, dass die «Rassenforschung» mehrere Jahrzehnte auf der Agenda der Genfer Anthropologie verbleibt. In seiner Forschung ist er bestrebt, die europäische Bevölkerung in verschiedene «Rassen» einzuteilen und zu klassifizieren, mit dem Ziel, der schweizerischen «Rassenforschung» nach dem Zweiten Weltkrieg neue Autorität zu verleihen.

Marc Roldolphe Sauter, vor 1952 | Bibliothèque de Genève

Structural racism today

Structural racism is rooted in institutions and norms and refers to the discrimination of people of colour in education, healthcare, on the job
market, at work, or through ‘racial profiling’ practised by the police.

The baseline study conducted by the Service for Combating Racism in Switzerland in 2022, which was based on field reports, shows that people from southern Europe, Black people as well as religious minorities are commonly exposed to structural discrimination.

Resistance and empowerment

Various associations and individuals have been campaigning against racism and discrimination in Switzerland since the 1970s. In 1995, the
provision on racism was incorporated in the Swiss Criminal Code. It is meant to protect people from being discriminated, threatened or humiliated on the basis of skin colour, ethnicity or religious background.

In addition to numerous independent networks and associations, nearly every canton has a state office for combating racism and discrimination.

Robin Bervini, *1989, Tessin

Es hat lange gedauert, bis ich meine Hautfarbe und mein Schwarzes Erbe akzeptiert habe. Ich hoffe, dass ich durch meine Arbeit und meinen Weg der Selbstakzeptanz andere Menschen inspirieren und mit ihnen in Kontakt treten kann - unabhängig von ihrer Kultur, ihrem Geschlecht oder ihrer Klasse.

Robin Bervini ist ein Schweizer Fotograf und bildender Künstler. Seine Arbeit konzentriert sich zum einen auf den Menschen, zum anderen auf das technische Experimentieren, um neue Ausdrucksformen zu finden. In seinem Studium konzentrierte sich Bervini zunächst auf Porträts und den Körper, den er mit traditionellem und Sofortbildfilm erkundete.  Aktuell erforscht Bervini neue Techniken zur Darstellung des Individuums durch Photogrammetrie, 3D-Modellierung und virtueller Realität und fokussiert sich dabei auf ethnische Identität, Geschlecht und soziale Zugehörigkeit. Robin Bervini ist derzeit als Creative Producer bei Stojan.com tätig.

Bervinis Arbeiten wurden bereits in Tokio, Paris, Zürich, Genf, Lugano und Locarno ausgestellt.

Marion Hermann, *1975, Zürich/Bern

Ich versuche Menschen, die nicht die gleichen Privilegien haben wie ich, selbst in die Sichtbarkeit zu bringen.

Marion Hermann ist mitinhabende und geschäftsführende Person des Zwischennutzungsprojekts «Das Dazw/schen» in Zürich.

«Das Dazw/schen» versucht sicherzustellen, dass auch Personen, die von strukturellem Rassismus betroffen sind, Zugang zu Mietobjekten haben und  Raum erhalten. Ich versuche den administrativen Weg so gering wie möglich zu halten und nehme mir gerne Zeit, falls Unterstützung erwünscht ist. So finden auch sehr viele NGO's den Weg ins «Das Dazw/schen».

Hermann bezeichnet sich als «Aktivist*in». So ist Marion auch immer wieder an Veranstaltungen und Demonstrationen anzutreffen bei denen es um Menschenrechte geht

Mardoché Kabengele, *1995, Bern

Um einen Diskurs über Rassismus führen zu können, ist es wichtig, an die Geschichte des Rassismus und an den Kampf der Zivilgesellschaft gegen Rassismus zu erinnern.

Mardoché Kabengele ist Mitglied des Berner Rassismus-Stammtisch, bei dem er sich für die Vernetzung von Menschen mit unterschiedlichen Lebensrealitäten und gegen strukturelle Diskriminierung engagiert. Er ist ausserdem in verschiedenen Kollektiven aktiv, wie dem Community-Center Livingroom oder dem Diskussionsformat «We talk – Schweiz ungefiltert». Seit 2020 ist er als administrativer Mitarbeiter der Geschäftsstelle des Institut Neue Schweiz tätig. Der 29-jährige stellt sich aktuell die Fragen über aktivistische Utopien und sich setzt sich ein für einen «unaufgeregten Diskurs» über (Post-)Migration ein. Denn für Kabengele ist Migration heute kein Ausnahmezustand, sondern gehört zum Alltag der Schweizer Gesellschaft.

Sandra Knecht, *1968, Basel/Buus

Heimat muss immer wieder verhandelt werden – Und genau das mache ich in meiner Arbeit.

Aufgewachsen ist Sandra Knecht im Zürcher Oberland. Bevor sie sich entschied, hauptsächlich als Künstlerin zu leben und zu arbeiten, war sie während 25 Jahren als Sozialpädagogin tätig. In ihren künstlerischen Arbeiten beschäftigt sie sich vor allem mit den Themen Identität und Heimat oder «Heimatidentität», wie Knecht es selbst nennt. Für ihr Werk My Land Is Your Land, für das sie mit dem Schweizer Kunstpreis 2022 ausgezeichnet wurde, untersucht Sandra Knecht das Konzept «Heimat», das für sie stark von Inklusion und Solidarität geprägt ist. Heimat als unbekannter Ort (Home is a Foreign Place), beschäftigt Knecht nun seit mehreren Jahren, wobei sie das Leben auf dem Land als Ausgangspunkt nimmt. Sandra Knecht eröffnete im November 2015 die «Chnächt» Scheune im Basler Hafenareal. Damit schuf sie einen «Heimatort» inmitten eines Unortes, an dem alle Menschen willkommen sind.

Zur künstlerischen Praxis von Sandra Knecht gehören auch  Kochen, Filme und Performance.

Shyaka Kagame, *1983, Genf

Ich würde meine Arbeit nicht unbedingt als «aktivistisch» bezeichnen. Am ehesten würde ich sagen, dass ich den Ansatz des Hip-Hop verfolge: zu erforschen, was man selbst ist und was unsere Mitmenschen erleben.

Shyaka Kagame wurde 1983 als Sohn ruandischer Eltern in Genf geboren.

Nach seinem Studium der Politikwissenschaften begann er, Dokumentarfilme zu drehen, von denen der erste, Bounty (JMH & FILO Films/RTS), 2017 in den Kinos lief. Der Film befasst sich mit den Identitätsfragen der ersten Afro-Schweizer Generation und konzentriert sich auf den Alltag von fünf Personen mit unterschiedlichen Profilen.

2018 drehte er für das TV-Nachrichtenmagazin Temps Présent (RTS) eine Reportage mit dem Titel Policiers Vaudois, une violente série noire, in der es um die Zunahme der Todesfälle von Schwarzen im Zusammenhang mit Polizeieinsätzen im Kanton Waadt ging.

Walesca Frank, *1991, Luzern

Unsere individuellen Unterschiede sind das, was uns als Gesellschaft stark macht.

Walesca Frank versteht sich als aktivistische Kommunikationsdesignerin und hat 2022 mit dem «Black Stammtisch» in Luzern ein Projekt zur Bekämpfung von Rassismus und Diskriminierung ins Leben gerufen. Ihr Ziel ist es, das Bewusstsein für kulturelle Vielfalt zu fördern und die visuelle Repräsentation von Schwarzen Menschen in den Mittelpunkt zu stellen. Dabei geht es ihr nicht nur um die Darstellung in den Medien, sondern auch um die physische Realität sowie um die Vielschichtigkeit von Schwarz sein und Schweizer:in sein. Seit Anfang 2024 gibt es auch einen «Black Stammtisch» in Zürich.

Während ihres Masterstudiums hat sie sich mit der Frage beschäftigt, wie über Rassismus gesprochen wird, und auf dieser Grundlage verschiedene Gesprächsformate entwickelt, darunter auch den «Black Stammtisch». In diesem geschützten Raum treffen Menschen zusammen, um nicht nur ihre Erfahrungen mit Rassismus zu teilen, sondern auch gemeinsam über «Black Joy» und mentale Gesundheit zu sprechen.

Colonial Continuities

Toppling monuments | © Swiss National Museum

Toppling monuments
In 2021 the Geneva-based artist Mathias C. Pfund placed his up-
ended and reduced-scale copy of the statue of David de Pury (1709–1786), who was involved in the ‘triangular trade’ and who therefore had a hand in the trade with enslaved people alongside the original that was raised in Neuchatel in 1855.

Mathias C. Pfund, Great in the concrete, ex. 2/5, 2022, bronze | Swiss National Museum

Read more: Whitey on the Moon & La tête dans le socle

Agassiz kopfüber
1906 bebt in San Francisco die Erde so stark, dass die Statue von Louis Agassiz von der Fassade der Stanford University fällt. Der Schweizer Natur- und Gletscherforscher, der in den USA aber auch rassistische Theorien entwickelte, landet kopfüber und bricht in den Boden ein. Dieses Ereignis wird Jahre später als symbolische Geste der Natur interpretiert und das Bild des versenkten Agassiz in der Kampagne Demounting Agassiz verwendet.

Vom Erdbeben gekippte Skulptur von Louis Agassiz, Antonio Frilli, Stanford University, San Francisco, 1906 | Zeitungsartikel The Fall of Agassiz at San Francisco, The Sphere, 1906

Denkmal von David De Pury
Der Gemeinderat von Neuchâtel lanciert 2022 einen künstlerischen Wettbewerb, dessen Mitpreisträger Mathias C. Pund ist. Er nimmt das Bild der gestürzten Agassiz-Skulptur zum Anlass, das Denkmal des Bankiers und Sklavenhändler David de Pury (1709–1786) zu hinterfragen. Mit seinem Werk möchte der Künstler nicht unbedingt eine Verbindung zwischen diesen beiden Biografien herstellen, sondern auf die Art der Repräsentation «grosser Männer» im öffentlichen Raum hinweisen.

Seine umgekehrte, kleine Version der Skulptur bezeichnet der Künstler als Fussnote zur Würdigung De Purys im öffentlichen Raum.

Mathias C. Pfund, Great in the concrete, 2022, Bronze

Videoinstallation

What does the colonial legacy mean for Switzerland today? The video installation shows a staged panel discussions consider topical social issues from a variety of perspectives. Discussions address the following topics:

  •  Colonial traces and blind spots
  •  The colonial legacy and remembrance culture
  •  Historical responsibility and restitution

The speakers are individuals with knowledge and experience of these subjects.

© Swiss National Museum

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