Key visual of the exhibition Christmas & Cribs

Christmas & Cribs

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Exhibition

Ox, donkey and sheep are a familiar part of many European cribs. But in other parts of the world, nativity scenes feature camels, elephants and even flamingos. Every crib therefore not only tells the Christmas story, but also reveals something about the people and wildlife in the place where it’s from. The traditional Christmas exhibition at the National Museum Zurich presents cribs from all over the world and this year takes a closer look at the animals and what they symbolise. As always, the exhibition will be accompanied by a varied supporting programme for the whole family.

Schools

Key visual of the exhibition Christmas & Cribs

Christmas & Cribs – Introductory tour

Kindergarten | Elementary school | Intermediate level | secondary levels I and II

Guided tour of the exhibition «Christmas & Cribs».

1 hour
Guided tours are free of charge for school classes from Switzerland.

Guided tours in English can be arranged, even outside opening hours. Guided tours are free of charge for school classes from Switzerland.

Booking:  

at least 2 weeks in advance

Duration:

 

1 hour guided tours, other services by prior arrangement

Group size:

 

max. 25 people

Cost:
 

 

Guided tours for school classes from Switzerland are free of charge.

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+41 44 218 66 00 reservationen@nationalmuseum.ch

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Christmas & Cribs

National Museum Zurich | 15.11.2024 - 5.1.2025
published on 15.11.2024

This year’s traditional Christmas & Cribs exhibition takes a look at the animals in nativity scenes. Depending on which part of the world they’re from, cribs can feature all sorts of wildlife, from the familiar ox and donkey, to lamas, parrots and even elephants.

Animals such as oxen, donkeys and sheep are just as much part of a nativity scene as Jesus, Mary and Joseph. Although not explicitly mentioned in the Gospel, animals already appeared in early nativity scenes. They are important secondary figures, representing divine creation, innocence and harmony. Nativity scenes are strongly influenced by culture and every single crib tells us something about the people who made and use it. The animals depicted also reflect the local culture and wildlife. The exhibition includes a Königsberg crib from what is now Czechia, with animals ranging from domesticated oxen and donkeys to wild animals, such as ibex, deer and storks. Meanwhile, cribs from outside Europe replace the traditional nativity animals with local substitutes. So, for example, a crib from Peru includes lamas, parrots and flamingos. And another from Peramiho in Tanzania features elephants, hippopotamuses and rhinoceroses. This diversity of wildlife shows how the crib tradition is rooted in different cultures and reinterpreted.

The traditional crib exhibition at the National Museum Zurich presents 12 cribs from all over the world with a special focus on animals, and as usual offers a varied accompanying programme for the whole family.

Images

Nativity scene from Latin America

The Peruvian Creation scene is filled with animals, including llamas, as well as parrots or flamingos. It integrates native animals into the Nativity story, thereby linking Christian traditions with the lifeworld of Peru. Creation scene, Maximiano Ochante Lozano, Peru, 1998

KrippenWelt Stein am Rhein

Königsberg Nativity scene

The Königsberg Nativity scene includes numerous animals – from classical domestic beasts like the ox, the ass, and sheep to local wildlife such as ibexes, stags, and storks. This wood-encased crib shows a traditional scene from the small town of Königsberg (today: Kynšperk nad Ohří) on the River Eger in the Czech Republic, where until the early twentieth century woodcarvers created unique miniature Nativity scenes in their spare time. Königsberg nativity scene, original figures in a replica stable, Kynšperk nad Ohří, Czech Republic, c. 1900/2023

Alfred Dünnenberger-Hager, Baar

Livestock

Not only domesticated animals like oxen, donkeys, and sheep, but also geese, pigs, dogs, and cats embody the cultivated natural world. They are faithful companions, underscoring the everyday and humble surroundings into which Jesus was born. Polish Nativity scene, Bogdan Gebski, Nowy Odrowążek, Poland

KrippenWelt Stein am Rhein

The ox and the donkey

The humble ox and the patient donkey – often a female – are the oldest animals in the Nativity scene. The ox is interpreted as a symbol of Judaism, while the donkey stands for paganism. At the same time, the ox is a common sacrificial animal, and the donkey serves as a mount for kings. Thus, the two animals at the manger foreshadow the later fate of Jesus. Nativity scene from the Leventina Valley (Ticino), 16th cent.

Museo etnografico di Leventina, Giornico

Nativity scene from Africa

This ensemble of figures from Tanzania interprets the animal world of the Nativity scene by including a herd of elephants as well as hippos and rhinos. These animals represent the regional fauna, harmonising the Nativity story with the culture and landscape of Tanzania. Ebony Nativity scene, Peramiho Artists’ Association, Peramiho, Tanzania, 1940–1990

KrippenWelt Stein am Rhein

The beasts of burden of the Three Magi

As beasts of burden, camels, dromedaries, elephants, and horses symbolise wealth, faraway civilisations, and the long journey of the Magi with their precious gifts of gold, frankincense, and myrrh. Their presence underscores the worldwide significance of Jesus’s birth. The Three Magi with dromedaries, Hanny Roduner, 2024

Hanny Roduner Krippenkunst, Zürich

Swiss National Museum

Swiss National Museum

Swiss National Museum

Swiss National Museum

National Museum Zurich press contact

+41 44 218 65 64 medien@nationalmuseum.ch

Exhibition imprint

  • Overall management Denise Tonella
  • Project direction and Concept Thomas Bochet, Christina Sonderegger
  • Scenography and Exhibition graphic Alex Harb
  • Scientific collaboration Valérie Lüthi
  • Project support Heidi Amrein
  • Advisory committee Roman Aebersold, Günhan Akarçay, Heidi Amrein, Beat Högger, Sabrina Médioni, Denise Tonella
  • Project controlling Sabrina Médioni
  • Cultural services and museum education Lisa Engi, Vera Humbel
  • Technical management Debbie Sledsens
  • Exhibition construction Ira Allemann, Philippe Leuthardt, Dave Schwitter, Marc Hägeli, Julia Rusterholz
  • Conservation management Peter Wyer
  • Conservation and mounting of objects Peter Wyer
  • Object logistics and assembly Christian Affentranger, David Blazquez, Simon d’Hollosy, Reto Hegetschweiler, Aymeric Nager
  • Loans Laura Mosimann, Claudio Stefanutto
  • Photography Jörg Brandt, Felix Jungo, Danilo Rüttimann
  • IT | Web Alex Baur, Thomas Bucher, Danilo Rüttimann
  • Video Installazione | Video installation Georg Lendorff, Zürich
  • Marketing and Communication Anna-Britta Maag, Sebastiano Mereu, Carole Neuenschwander, Alexander Rechsteiner
  • Advertising graphic Roli Hofer
  • Translations Language Factory, Laurence Neuffer

Items generously loaned by

  • Alfred Dünnenberger-Hager, Baar
  • Spielzeug Welten Museum Basel
  • Museo etnografico di Leventina, Giornico
  • KrippenWelt Stein am Rhein
  • Hanny Roduner Krippenkunst, Zürich
  • Christina Sonderegger, Zürich